![]() It made sense, then, that so many of the Connery-led Bond movies would revolve around hijacked rockets, space lasers, and various nefarious hammer-and-sickle schemes of the all-but-Commie-in-name nemesis, SPECTRE. and the dreaded Russkies) and a mere three weeks before the Cuban Missile Crisis would push East and West closer than they’d ever come to mutually assured destruction. ![]() No, arrived in theaters just five short years after the launch of Sputnik (thus sparking the Space Race between the U.S. The 007 braintrust didn’t have to look very far for their earliest batch of Bond villains. But, in their own ways, each one managed to bring something fiendishly unique to the franchise while giving a face to the neuroses that dominated their particular zeitgeist. It’s hard to place Toby Stephens’s Gustav Graves in the same lofty plateau as Gert Frobe’s Goldfinger. These bigger-than-life, big-screen psychos weren’t created equal, of course. Regardless of the film or the actor who was playing 007 at the time, Bond seemed to attract danger the way a black dinner jacket might attract lint-or, say, a stray hair from Blofeld’s cat-on its lapel. ![]()
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